SEARCH RESULTS FOR: Simon Keenlyside
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b. 1959 English baritone Following a period with Scottish Opera (1988–94), he made his debuts at Glyndebourne and La Scala in 1995, and at the Metropolitan Opera in 1996. Much in demand in for the Mozart baritone roles (recording Don Giovanni for Abbado), he was also praised as Britten’s Billy Budd at Covent Garden (in 2000) and on record (under ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Se’-mon Mi’-er) 1763–1845 German composer Mayr grew up in Bavaria and taught himself to play most string and wind instruments, before moving to Venice, where he studied composition with Ferdinando Bertoni. Mayr composed numerous operas, many for La Scala, Milan. Although his works exhibit diverse stylistic elements, his melodic and harmonic expression was rooted in late Neapolitan ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1663–1745, French Simon-Joseph Pellegrin was a monk who sailed twice with the French fleet to the Orient, and who put into verse Biblical texts that were sung to music by Lully and Campra at the royal convent at St Cyr. Pellegrin provided libretti for many composers, including Campra and Desmarets, but his best-known works are Jephté, set ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1710–92, French Charles Favart became director of the Comédie-Italienne in Paris in 1758. His 11-year term as director was evidently important in the theatre’s history, for in 1871 it was renamed Salle Favart. As a librettist, Favart’s output was prodigious: he wrote 150 libretti for composers such as Gluck, Philidor and Grétry. Favart’s forte was the comic ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1763–1845, German The German-born composer Simon Mayr was studying in Italy when the patron who supported him died and he faced an uncertain future. Piccinni  encouraged him to write opera and Mayr took his advice. Mayr’s first opera, Saffo (1794), attracted several commissions, but his great breakthrough came when Ginevra di Scozia (‘Ginevra of Scotland’, 1801) was performed ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Verdi’s dark, brooding opera Simon Boccanegra had a tortuous history before 24 March 1881, when its final version premiered at La Scala, Milan. Verdi composed Boccanegra in 1857, but the Venetian audience reacted coolly; an anti-Verdi claque sabotaged the performance and a false rumour spread, claiming that Verdi had written the libretto and made a mess of ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1916–2006, Canadian One of the great Mozartian tenors of his age, Simoneau married French-Canadian soprano Pierrette Alarie. They went to Europe, where he sang at the Paris Opéra, Aix-en-Provence, Glyndebourne and London’s Covent Garden. In 1952, Simoneau sang in a historic recording of Oedipus Rex, with Stravinsky conducting and librettist Jean Cocteau as narrator. ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

b. 1955 English conductor Rattle won the John Player International Conductors’ Competition in 1974. After posts with the Royal Liverpool Philharmonic Orchestra and the BBC Scottish Symphony Orchestra, he was principal conductor and music director of the City of Birmingham Symphony Orchestra, 1980–97. In 1999 he was appointed Abbado’s successor, from 2002, at the Berlin Philharmonic Orchestra. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocal duo, 1957–71, 1981–83, 2003–04, 2009–10) As ‘Tom and Jerry’, Paul Simon (vocals, guitar) and Art Garfunkel (vocals) had a minor US Hot 100 success as teenagers in 1957 with ‘Hey Schoolgirl’. Both attempted to forge solo careers, which took Simon to the UK where he became a reliable draw in the country’s folk clubs. ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Guitar, vocals, b. 1941) Paul Simon (1972) was an eclectic affair followed a year later by the more straightforward There Goes Rhymin’ Simon. His third solo album Still Crazy After All These Years (1975) featured a reunion with Art Garfunkel on the duet ‘My Little Town’. The singer’s most popular and influential work was Graceland (1986), which utilized African ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

First performed at the Royal Opera House in London’s Covent Garden on 1 December 1951, this adaptation of Herman Melville’s short story saw E. M. Forster writing large portions of prose while Eric Crozier focused on the dramatic execution. Accordingly, Billy Budd was one of the most meticulously researched and well-written librettos of any Benjamin Britten opera. Typically for ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

b. 1969 German tenor Kaufmann trained in Munich and was engaged at various German opera houses before making his international debut at the Chicago Lyric (2001), followed quickly by appearances at the Paris Opéra and La Scala, Milan. He has sung not only the major Italian tenor roles – such as Verdi’s Don Carlo, Alfredo (La traviata), Cavaradossi (Puccini’s ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

b. 1971, British A celebrated composer, conductor, pianist and curator, Thomas Adès has already inspired retrospectives of his work. His operas, Powder Her Face (1995) and The Tempest (2004) received critical and audience acclaim and both have entered the contemporary repertoire. Performances of The Tempest include the 2004 production at the Metropolitan Opera, directed by ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The Enlightenment was a natural, if late, consequence of the sixteenth-century Renaissance and Reformation. Also known as the Age of Reason, the Enlightenment advanced to be recognized in the late seventeenth and early eighteenth centuries and brought with it new, controversial beliefs that upended the absolutisms on which European society had long been based. Absolute monarchy, ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Steel pans or steel drums are a Caribbean instrument, originally made from oil drums beaten into shape and tuned. They originate from Port of Spain, Trinidad. The Origins of Steel Pans In the late 1930s, local people took to playing discarded metal objects like food tins and engine parts at carnivals and other celebrations, after the British ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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